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12.14.2006
Rejects 1
In the spirit of:
1. failure,
2. the recent spectacular premier of my sax quartet - Drawling the Rusted Vacuum Breath (one
sunset too many) by the PRISM Quartet in NYC/Philadelphia (did you go?),
3. the ongoing need to title the opera, the "draft" of which has not only been presented to the powers that be but also to the performers that be,
I hereby present the list of reject titles for the sax quartet: (** this is NOT a contrived list...these were actual potential titles that were, for however briefly, considered in the title-making process.)
And at the end of the day, then what?
Like a sideshow pony ride walking in circles…
careful…it’s a bit of Levy
Far Away Looking at Numbers
The Only Way
A Reexamination of the American Condition, Part I
A Reconsideration of the American Condition, Part 14
A Reconsideration of the History of the Integral Musician in the New World
A Reexamination of the History of the Tenor Aria in the New World
Your Guess is as good as mine.
The Rebirth of the Tenor Aria in the New World
Ten. Or so prano al to baritone
Outside: Music.
beyond vision looking at numbers
a revised history of integers
a reconsideration of the history of integers: outside
Historically Preceded
Defining Performance Practice: (insert agrarian reference here)
Reconsidering (insert integral object here) in an Old Historical Context.
(insert anonymous laborer here)
anonymity is relative
Lomax the Lorax
Lomax’s Thorax
Lomax’s Thoracic
The Forgotten Labors of the Monochromatistriadinae Centipede
(which, historically, was not always invisible)
And Now, We Stridulate.
Morning Stridulations.
AM Stridor
Till Can’t See
From Can’t See Till
Field Mutations.
Mutated Stridulations
In the Distance, Looking at Numbers
The Invisible Labors of the Monochromatic Striadinae Centipedinae
(which has not always been forgotten)
Lieder ohne Tanzen
Far Away Reexamining the Numbers Far Away
A Good Old Fashioned Stridulaiton
Stridulate, Just Like We Used To
Which Has Not Always Been Forgotten
The Invisible Motions of
Forgotten Motions Invisible
Oxidized Stridulations (which have not always been invisible)
De-oxidizing Stridulations
Rusted Breath and the promise of the Never Ending Melody
aint yo mamas dramaturgy
Oxidized Stridulations, (which did not always exist in a vacuum)
Oxidized Stridulations (which did not always keep time with an axe)
did not always keep time with an axe
Rusted Vacuum Breath
Drawling the Rusted Vacuum Breath (Lomax revisits/redux)
Drawling the Rusted Vacuum Breath (one sunset too many)
How Lomax Uncrushed the Thorax of the Monochromatistriadinae Centipede
How Lomax Uncrushed the Centipede
Rosie Lomax
counterpoint: the other species
The Other Species
The Other Species’s Counterpoint
one sunset too many
my bulldog takes sugar in his coffee
The title of this piece is excerpted from the following conversation, which never took place on the twelfth of October, 20-- :
(n.)
1. failure,
2. the recent spectacular premier of my sax quartet - Drawling the Rusted Vacuum Breath (one
sunset too many) by the PRISM Quartet in NYC/Philadelphia (did you go?),
3. the ongoing need to title the opera, the "draft" of which has not only been presented to the powers that be but also to the performers that be,
I hereby present the list of reject titles for the sax quartet: (** this is NOT a contrived list...these were actual potential titles that were, for however briefly, considered in the title-making process.)
And at the end of the day, then what?
Like a sideshow pony ride walking in circles…
careful…it’s a bit of Levy
Far Away Looking at Numbers
The Only Way
A Reexamination of the American Condition, Part I
A Reconsideration of the American Condition, Part 14
A Reconsideration of the History of the Integral Musician in the New World
A Reexamination of the History of the Tenor Aria in the New World
Your Guess is as good as mine.
The Rebirth of the Tenor Aria in the New World
Ten. Or so prano al to baritone
Outside: Music.
beyond vision looking at numbers
a revised history of integers
a reconsideration of the history of integers: outside
Historically Preceded
Defining Performance Practice: (insert agrarian reference here)
Reconsidering (insert integral object here) in an Old Historical Context.
(insert anonymous laborer here)
anonymity is relative
Lomax the Lorax
Lomax’s Thorax
Lomax’s Thoracic
The Forgotten Labors of the Monochromatistriadinae Centipede
(which, historically, was not always invisible)
And Now, We Stridulate.
Morning Stridulations.
AM Stridor
Till Can’t See
From Can’t See Till
Field Mutations.
Mutated Stridulations
In the Distance, Looking at Numbers
The Invisible Labors of the Monochromatic Striadinae Centipedinae
(which has not always been forgotten)
Lieder ohne Tanzen
Far Away Reexamining the Numbers Far Away
A Good Old Fashioned Stridulaiton
Stridulate, Just Like We Used To
Which Has Not Always Been Forgotten
The Invisible Motions of
Forgotten Motions Invisible
Oxidized Stridulations (which have not always been invisible)
De-oxidizing Stridulations
Rusted Breath and the promise of the Never Ending Melody
aint yo mamas dramaturgy
Oxidized Stridulations, (which did not always exist in a vacuum)
Oxidized Stridulations (which did not always keep time with an axe)
did not always keep time with an axe
Rusted Vacuum Breath
Drawling the Rusted Vacuum Breath (Lomax revisits/redux)
Drawling the Rusted Vacuum Breath (one sunset too many)
How Lomax Uncrushed the Thorax of the Monochromatistriadinae Centipede
How Lomax Uncrushed the Centipede
Rosie Lomax
counterpoint: the other species
The Other Species
The Other Species’s Counterpoint
one sunset too many
my bulldog takes sugar in his coffee
The title of this piece is excerpted from the following conversation, which never took place on the twelfth of October, 20-- :
(n.)
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2 comments:
that would have made a really great speach at the PRISM performance
I forgot to bring the list to the show.
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